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Utah Valley University Digital Archives
Search results for
Square
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Date
Date of Exhibition: Ma...
(6)
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Image/jpg
(6)
Subject
Art Golden Section Mat...
(2)
Painting Thebes (Egypt...
(1)
Art Golden Section Fib...
(1)
Engraved Glass Glass S...
(1)
Painting Mathematics i...
(1)
Artist
Stepp, Ian
(2)
Barsh, Wulf Erich
(1)
Kosorok, Andrew
(1)
Mckenna, Doug
(1)
Myer, Peter Livingston
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1.
Hermegnostic Box, by Andrew Kosorok
Engraved glass; Glass sculpture; Mathematics in art;
Every major belief system contains within its traditions two smaller groups, Hermetic and Gnostic, that use numbers as a vital part of their devotional observations. The Hermetic systems (in Taoism, Islam,...
2.
Toward Thebes, by Wulf Erich Barsh
Painting; Thebes (Egypt : Extinct city);
Toward Thebes is an abstract painting which, according to Dr. Vern G, Swanson, is based on the theme of Life in this mortal estate, in which, as the Apostle Paul says, “We see through a glass darkly“...
3.
Golden Gnomon, by Doug McKenna
Art; Golden section; Fibonacci numbers;
Golden Gnomon is a new, more accurately drawn version of a pen plotter drawing McKenna first made back in 1985. It is based on a non-periodic Ammann tiling, which is in turn based on even and odd powers...
4.
The Inventor, by Peter Livingston Myer
Painting; Mathematics in art;
In the initial compositional design for the painting “the Inventor” I was aware and consciously utilized two mathematical principles. First was the division of thirds both horizontally and vertically...
5.
Lines, by Ian Stepp
Art; Golden section; Mathematics in art;
This is one of two works which were made to study the golden section. Both pieces are focused on finding a proportional spiral-- Lines showing the marks that it took to find a "square spiral" in color...
6.
Owl, by Ian Stepp
Art; Golden section; Mathematics in art;
This is one of two works which were made to study the golden section. Both pieces are focused on finding a proportional spiral-- Lines showing the marks that it took to find a "square spiral" in color...
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